While his captors believe he's working on their weapon, he is instead building a terrifying suit of armor
that will enable him to annihilate the terrorists and escape captivity. Once back in the States, he changes
his company's course and uncovers a plot to distribute his new weapon to the very people from whom he was
protecting the United States in the first place.
To begin with, credit must be given the writers for their ability to put together a backstory that builds into
something, rather than one that is simply placed before us. Given that storyline is usually the primary
weak spot with action films, the solid concept behind the character was very refreshing. Tony Stark's three-month
captivity in the
mountains of Afghanistan allows the audience to get to know him a bit before seeing him take off in the
red and gold suit we've become so familiar with over the past few months. In a case like this, patience pays
off. Stark's journey from relentless business tycoon to humanitarian crusader is well-earned, and that's
a pleasant surprise, given the shoot-em-up mentality many comic book adaptations have crashed and burned with
over the past decade or so.
There's a surprising amount of star power involved in the film as well; I didn't even know Gwyneth Paltrow
was in the film until she showed up on-screen; her role as Pepper Potts, Stark's personal assistant, is largely
a one-note character but is given something special by Paltrow's considerable presence. Likewise, Jeff Bridges,
always a favorite, puts together a convincing on-screen scheme, and Terrence Howard sticks to the straight-man
role with which he's very familiar, and indeed, quite successful.
If there's a problem with Iron Man -- and there is, or you wouldn't be seeing a B- on his report
card -- it's in the overall execution and resolution of the main plot. Again, the backstory is solid and the
characters surprisingly well-drawn, but by the time things really come to a head, you basically know what you'll
be in for. On that front, it's standard summer movie fare, but I know I certainly had higher hopes for Iron
Man than that, and I'd wager I'm not the only one. With such an engaging start, the film's resolution comes
about with surprisingly little heart and almost (but not quite) descends into CGI-driven parody before it's all
over. The character bits sparkle while the action sometimes misses the mark -- how's that for a reversal?
Someone should remind Robert Downey, Jr. as well that you can deliver your lines with more than one
facial expression. Given that Stark was written with such cleverness and quick wit, Downey's deadpan adds to the
dry humor while simultaneously losing points on sheer humanity, which in the end, is what Iron Man
is all about.
The Bottom Line
It's a good (not great) summer-kickoff movie with a good story and fantastic effects. It won't be a
must-own, but it's certainly worth seeing once.
-- Heith Carnahan, heith @ movie-popcorn.com
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