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Starring
Will Smith
Jason Bateman
Charlize Theron
Directed by
Peter Berg
Final Grade:
B+
Rated PG-13 for some intense sequences of sci-fi action and violence and language
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Hancock
a review by Heith Carnahan
The Rundown
John Hancock (Will Smith) -- drunk, depressed, and miserable -- is also a superhero who
grudgingly flies around Los Angeles, capturing criminals and making an absolute mess of
everything in his path. His latest bad guy chase along an L.A. freeway racks up over $9 million
in damages, and the public (as well as the press) is calling for some action to be taken against
him. They just don't know what.
Hancock, in a most routine way, saves the life of Ray Embrey (Jason Bateman), whose car was
stuck on the tracks and in the path of an oncoming train. Turns out Ray is an accomplished
rep at a PR firm, and in his gratitude, he persuades Hancock to let him work to change his
public image. In the process, Hancock is introduced to Ray's wife Mary (Charlize Theron)
and eight-year-old son Aaron, and the secrets of Hancock's origin -- bizarrely unknown to
him up to now -- slowly come to light as others' secrets are also revealed around him.
Everything and more
Despite the ho-hum critical response Hancock has received up to this point, I can tell
you with great certainty that the film is everything it was built up to be. It is, on all
fronts, an engaging comedy-adventure with a clear purpose, a consistent narrative, and a solid
cast that all combine to form a believable, real-world superhero story complete with
real-world consequences and characters, flawed and multi-layered, that you're rooting for
from the first frame.
Hancock himself (Smith) couldn't be more entertaining as the dubious superhero who will
go out of his way to stop bad guys but couldn't care less about the collateral damage that
takes place in the process. And the public's perception of his antics certainly doesn't
help his attitude toward them, which is partially why he so readily takes to Ray and his
family -- they obviously care about what happens to him. After all, a heartfelt thank-you
goes a long way when you're surrounded by naysayers whose tail ends you've just saved.
By now you've heard about the "twist" that comes about halfway through the film, and it is
as big a deal as it's made out to be; Hancock wouldn't have a second or third act
without it. I won't reveal what it is except to say that it takes the audience in a very
different direction than they expect. None of the trailers I ever saw gave any indication
as to where the movie was actually going, only where it began. So given that
we were shown a premise but never a plot, I'd say writers Vy Vincent Ngo and
Vince Gilligan have done pretty well for themselves.
As always, Jason Bateman shines with his very even-keeled, well-spoken Ray Embrey,
and I was pleased to see 10-year-old Daeg Faerch make a cameo appearance as well
after his riveting turn as the young Michael Myers in 2007's remake of the horror classic
Halloween. But make no mistake, this film is all about Will Smith. He is
the beginning, middle, and end of Hancock, and given his performance in the movie,
he certainly deserves the title.
The Bottom Line
It deserves every penny of the $66 million it made its opening weekend. The action is great
and some of the humor is even better. It's definitely a must-see for Summer 2008.
-- Heith Carnahan, heith @ movie-popcorn.com
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